论文部分内容阅读
中国水墨画从奈良时代传入日本,以《潇湘八景》为例,演示出一部微观的艺术发展史。以桥本雅邦、横山大观、横山操、中村正义所作的《潇湘八景》为代表,呈现出近代日本水墨画从“移植”“生长”到“变异”“转化”的历史衍变,显示了在不同文化背景和时空环境下,《潇湘八景》这一艺术母题在流传、嬗变中,发生的“转译与变化”。日本水墨画《潇湘八景》艺术风格由“渐”到“变”的过程,给我们观照艺术史呈现了另一视角,对中国艺术也具有“当下文化研究”的参考价值。
Chinese ink painting was introduced into Japan from the Nara period, taking “Xiaoxiang Eight Scenes” as an example to demonstrate a micro-art history. Taking “Eight Scenes of Xiaoxiang” made by Hashimoto Yabon, Yokoyama Grand View, Yokoyama, and Nakamura justice as the representatives, the modern Japanese ink and wash paintings are presented from “Transplantation ” “Growth ” to “Variation ” “Transformation ” The evolution of history shows the “translation and change” of the artistic motif of “Xiaoxiang Eight Scenes” in its spread and evolution in different cultural backgrounds and time and space environments. The process of the Japanese ink and wash painting “Xiaoxiang Eight Scenes” changes from “fading ” to “changing ”, giving us another angle of view on the history of art and also having the reference value of “Contemporary Cultural Studies ”.