说起振兴戏曲，我们总是在继承创新上兜圈子，这原本无错，但无论演传统剧目或创排新戏，都以经济实力为后盾，无奈别的都好说，一说起经费就人人愁肠百结。为扩大影响，吸引观众，戏曲也介入了电视等当代媒介，但拍的都是戏曲电视片。我们能不能再把思路打开些，视野放宽... Talking about the revitalization of the drama, we always follow the circle of innovation, which was originally wrong, but no matter whether the traditional repertoire or create new plays, are supported by economic strength, but unfortunately others are good to say, talk about funding for everyone Melancholy hundred knot. In order to expand their influence and attract viewers, the opera also intervened in contemporary media such as television, but the films were all dramas and televisions. Can we open our minds more and relax our horizons ...