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从上世纪八十年代末至今,我从事书法研究已经二十多年,研究的内容包括书法史、书法文献、传统书法批评、碑刻墓志考证、书法与中国文化等等。近年来,随着研究的不断深入,学术思想方法也有明显的提升,实现了从重视功力到享受创意的跨越。这里让我感受最深的就是学术研究也要有想象,由想象带动问题意识,进而形成新的思维方式和学术风格。我的目标是,努力尝试去接近古人,复原历史,尽可能地弄懂古人所想、所尚、所言,以便从书法史和书法文献中提取更多的信息,揭示其意义,为当代所了解与学习借鉴。
From the late 1980s to the present, I have been engaged in the study of calligraphy for more than 20 years. The contents of my research include the history of calligraphy, calligraphy, criticism of traditional calligraphy, textual criticism of inscriptions on inscriptions, calligraphy and Chinese culture. In recent years, with the deepening of the research, the methods of academic thought have also been obviously improved, and the leap forward has been realized from focusing on skill to enjoying creativity. The deepest thing that makes me feel here is that academic research should also have imagination, and the imagination drives the awareness of problems so as to form a new way of thinking and academic style. My goal is to try hard to get close to the ancients, restore history, understand as much as possible what the ancients think, what they say, in order to extract more information from the history of calligraphy and calligraphic literature to reveal its meaning for the contemporary Learn and learn from.