引言随着新中国的诞生,中国音乐作品创作进入了一个充满生机的时期,呈现出音乐创作的繁荣景象。这一时期的作品既运用了西方作曲技法,又突出了作品的民族性,使作品具有深刻的思想内涵和浓郁的民族特色。正是由于创作者尝试了民族性特征作品的创作方法,才有了后来作曲家将这一创作理念进行传承和发扬的局面。如群众歌曲《歌唱祖国》(王莘词曲),管弦乐作品《春节组曲》(李焕 Introduction With the birth of New China, the creation of Chinese musical works has entered a period full of vitality, showing a prosperous musical creation. The works of this period not only used western composition techniques, but also highlighted the nationality of the works, which made the works have profound ideological connotations and rich national characteristics. It is precisely because the creators tried the creative method of national characteristic works, and later the composers inherited and developed this creative concept. Such as the masses of songs “singing the motherland” (Wang Xin lyrics), orchestral works “Spring Festival Suite” (Lee Hwan