传统文人写意花鸟画重立意,在平常习见的花花草草中,要象征性地寄寓人格、理想、情怀甚至道德、情操、哲理等纯主观的精神内容,所谓“一枝一叶总关情”。而且这种寄托“正、大、康、庄”的抽象甚至空洞的一本正经,主要抒发“君子修身齐家”一类的主观精神,并不熨帖人性本质的一腔情怀。如典型的“梅兰竹菊四君子”模式,郑所南画兰画根不画土的典型行为,此可谓写意花鸟画的“立意程式化”。千余年来,写意花鸟画正是赖这种程式以存在,尽担道义,但它 The traditional literati’s freehand flower-and-bird painting emphasizes the meaning of purely subjective and subjective spiritual, sentimental, and philosophical concepts in the commonplace of flowers and plants, symbolically expressing the spiritual content such as personality, idealism, feelings and philosophies. The so-called “ . And this sustenance ”is, big, Kang, Zhuang “ abstract or even empty serious, express ”a gentleman Slim fit “ a class of subjective spirit, does not iron a quote a human nature of a sentiment. Such as the typical ”Merlin Zhu Ju four Gentlemen “ model, Zheng Su-South painting the roots of the typical painting is not painted, this can be described as freehand flowers and birds ”deliberate stylization ". For more than a thousand years, freehand flowers and birds paintings rely on this program to exist and do justice, but it