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文体作为文章写作的基本程式和规范,并非先于作品而存在,而是先有作品后有程式和规范,是经由人们不断总结、丰富和完善而形成的。其形成之后再反作用于创作,为后人所遵循沿用。遵循的人愈多,所作愈多,沿用的时间愈长,经历愈久,其生命力就愈旺盛,其存活的时间亦就愈长久。因此,它既寄形体于人们的创作当中,又对人们的创作起着制约、规范的作用。南北朝文体正是依循这样的生存轨迹而获得了它们应有的时间和空间,既作者云涌,作品林立,又种类繁多,内容丰富,是中国古代文体形成发展的重要阶段,为循用者所学习、承传,研究者所注重、探讨。
As the basic program and norms of style writing, style does not exist prior to the work. Instead, the style and format of the first works are formed through the continuous summation, enrichment and perfection of people. After its formation, it reacts to the creation and is followed by others. The more people who follow, the more they do, the longer they spend, and the longer they live, the more vitality they have and the longer they live. Therefore, it not only attaches itself to people’s creation, but also plays a restrictive and standard role in people’s creation. The style of the Southern and Northern Dynasties just got the proper time and space according to such a living track. The author surged forward with rich works and rich content, which is an important stage for the formation and development of ancient Chinese style of writing. Learning, inheritance, researchers focus, explore.