一、乡土:纪实与虚构近来,冠之以各种名目的“返乡日记”在诸多媒介空间流行开来,俨然已经成为观看“乡土中国”的抽样文本。虽然日记者的身份地位、价值观念、社会位置错综、参差,但其中某种共同的意趣指向不难把握:乡村的形象凋敝、萎缩、败落,城市“现代性”的单向流通、侵入,以及基于二者“高低有别”的心理落差的道德批判“居高临下”。各种言论的翻滚、叠合之中,对于乡土描述、记录的同质化倾向不难分辨,因而由此得出的“批判”结论也就值得深究细探。如果将“日记者”的内在主观性搁置一边,那么这些“日记”的片段扫描对于整个中国乡村而言,究竟几分纪实、几分虚 First, Native: Documentary and Fiction Recently, the title of “Returning Diary” popularized in many media spaces as if it had become the sampled version of “Native China”. Although the status of journalists, their values ​​and the social position are staggering and mixed, some of their common interests are not hard to grasp: one-way flow of the rural image, shrinkage and decline, urban “modernity” and intrusion , As well as the moral criticism based on the psychological gap between the two “high and low ” “condescending ”. The tumbling and overlapping of various kinds of speech are not difficult to distinguish the homogeneity tendency recorded and described by the local people. Therefore, the conclusion of “criticism” derived from this is worth further investigation. If the inner subjectivity of “journalist ” aside, then these “Diary ” fragment scan for the entire Chinese village, what a record, a few minutes