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“把破损器物送来锔补的人,都是心有不舍之人,他们怀惜物之心而来,我理应回报铜瓷之美。”——曹庆励当你瞩目那些事和物时,目光有多么温情,阳光照射不到对的内侧有怎样的深奥意蕴,知晓了这些之后,才有真正的明亮流淌出来。这是第一眼看到曹庆励残语手作展海报时的感觉。海报上一双厚实的手握着一锔补的老盏,一种温厚的踏实感。遇见人所处的环境总是和人发生着某种联系,这种联系,可能是过去的延续、记忆的延续,是人与人、人与物的联接,也可能是无数联接重叠缠绕在一起,复杂幽深。而人是有能力把身边的器物、住宅以及环境,吸纳为自身的一部分,然后又会在自己的作品里发生某种映射。所以,手艺人的生活姿态会流露在作品里。
“The damaged utensils sent to make up those who are heart dismay people, they cherish the heart of things, I deserve to report the beauty of copper porcelain.” - Cao Qingli When you look at those things and things , How warm the eyes look, the sun is not on the inside of the deep esoteric implications, knowing these, there is a real bright flow out. This is the first time I saw Cao Qun residual hand when making a poster feel. Posters on a pair of thick thick hand holding an old lamp, a sense of warm and down-to-earth. Meet the environment in which people always have some kind of contact with the people, this connection may be the continuation of the past, the continuation of memory, is the connection between people, people and things, it may be innumerable joints overlapping intertwined , Complex and deep. And human beings are able to absorb the objects, dwellings and environment around them as part of themselves, and then somehow map themselves in their own work. Therefore, the artist’s life style will be revealed in the works.