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秦汉时秦是艺术高度发展的时期,出现了许多杰出的艺术作品。这一时期的雕塑艺术也得到了长足的发展。秦时期的雕塑多以写实性为主,它规模大,数量多,给人最突出的感受是力求逼真,表现物件的写实风格。例如兵马俑,每个秦俑的形象虽无雷同,均通过人物动作刻画,各自神态表现的生动传神。注重灵活多样的表现手法,具有强烈的艺术感染力。汉代的雕塑由于宫殿和陵墓及其装饰的应用而得到前所未有的发展,这一时期的艺术作品以追求浪漫的夸张的手法进行创作。但是作为前后相续的秦朝和汉代,在雕塑艺术的创作上并没有很多的延续性,秦只有短短十五年的统治时间,但是雕塑上的写实风格并没有传承到汉代,这与以往的前朝影响后代的现象是截然不同的。在当造成秦汉雕塑艺术之间的这种非延续性现象的众多原因中,文化原因是一个非常重要的原因。
During the Qin and Han dynasties, Qin was a period of high development of art and many outstanding works of art appeared. The sculpture art of this period also got a great development. Most of the sculptures in the Qin Dynasty were mainly of realistic character. The scale and quantity of the sculptures in the Qin period were the most prominent ones. They tried to be lifelike and express the realistic style of the objects. For example, Terra Cotta Warriors and Horses, although the image of each Terracotta Warriors and Horses are similar, are depicted through the action figures, vivid expression of their vivid expression. Focus on flexible and diverse performance techniques, with a strong artistic appeal. The sculptures of the Han Dynasty gained an unprecedented development due to the application of palaces and tombs and their decoration. The artworks of this period were created by the pursuit of romantic exaggeration. However, as the successive Qin and Han dynasties, there is not much continuity in the creation of sculpture art. Only a short period of fifteen years of the Qin dynasty ruled, but the realistic style of sculpture did not inherit to the Han Dynasty. Compared with the past The phenomenon that affects the posterity of the former DPRK is totally different. Among the many causes of this non-continuity between the sculpture and sculpture in Qin and Han dynasties, cultural reasons are a very important one.