论文部分内容阅读
在当代大融合大数据的时代背景下,符号的传播与表达越来越被人们所认可与重视应用,它已成为人们沟通的媒介,是人们快速获取信息的通道。而符号本身有着时代性,我们越来越重视符号当代应用的同时却忽略了符号原本的含义语力量。本篇论文想要探索符号在当代话语中的地位,同时追溯其在原始宗教艺术中所具有的深刻意义与历史推动力。它不仅仅是具有应用功能性,也是古代祖先们的图腾崇拜的产物。因为原始人们生存环境的恶劣,生存艰难,所以自然的把自然力量以及未知的事物看成具有意志的对象并且对其崇拜,并由此产生了宗教、宗教符号以及宗教艺术。宗教在传播它的教义的时,往往会通过绘画和雕塑等艺术形作为表达媒介,而这些艺术形式中都少不了符号。
In the era of contemporary convergence of big data, the spread and expression of symbols are more and more recognized and valued by people. It has become a medium of communication for people and a channel for people to obtain information rapidly. While the symbol itself has the characteristics of the times, we pay more and more attention to the contemporary application of symbols while neglecting the original meaning of symbols. This essay attempts to explore the status of symbols in contemporary discourse and at the same time traces its profound meaning and historical impetus in primitive religious art. It is not only an application of functionality, but also the product of totem worship of ancient ancestors. Because primitive people live in harsh conditions and survive hard, natural forces and unknown things are naturally regarded as objects of worship and worship, resulting in religious, religious symbols and religious art. When religion spreads its doctrine, it often adopts the artistic forms of painting and sculpture as the medium of expression, and these symbols are indispensable in these art forms.