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以古代巴国为中心,向周边辐射的广大西南地区,流行着一种一元性霸主型山歌——五句子歌。它不仅是五句曲体的概念,而且词体结构也是以七言五句为主体、涵四、五、六行式的“泛五句歌”。 这个泽被西南,影响巨大的定格的五行诗现象,不见于典籍,也不见于文人创作。就连大型词典的“五”字条目下,有小小的“五倍子虫”,也没有大大的五句子歌。在民间,中华大地上除了巴境及其边缘,再也不见流行。甚至直接受中华文化影响的周边国
To the ancient Pakistan as the center, the radiation to the surrounding vast areas of southwest China, popular with a kind of dominant hegemony folk song - five sentence songs. It is not only the concept of five lines of music, but also the structure of the lexicon is also composed of seven sentences and five sentences, covering four, five and six lines of “Pan-Five Songs.” This Ze was southwest, a huge impact on the fixed five-poem phenomenon, not seen in classics, nor is it seen in literary creation. Even the big dictionary of “five” entry, a small “five times the worm”, there is no big five sentence songs. In the private sector, on the vast land of China, apart from the border with Pakistan and its borders, it is no longer popular. Even neighboring countries directly affected by Chinese culture