国民经济高速发展和进一步对外开放,促使国家城市建设发展迅猛。但不求创新、盲目模仿、千篇一律的建筑模式,也应引起关注。50年代初出现了大片清水墙平屋顶“方盒子”建筑;1959年,人民大会堂的琉璃檐口出现,带动了60年代和70年代初一大批贴琉璃挑檐“博士帽”特征的建筑兴起;70年代中期,广州交易会、白云宾馆等大玻璃、横线条的建筑又不分南北地风靡全国,如孪生般的长沙的长岛饭店、湘江宾馆、麓山饭店,桂林的漓江饭店,青岛的汇泉宾馆,最典型的属青岛的黄海饭店。后米,香港香格里拉酒店以折线凸窗组成的垂直线条的建筑形式,又以深圳为中心,辐射全国,遍地开花;而国外影片和图片中的台阶式建筑和玻璃幕墙围护外墙式建筑现在国内又大有燎原之势……。以上几种建筑形式的反反 The rapid development of the national economy and further opening up to the outside world have contributed to the rapid development of national urban construction. However, the architectural model that does not seek innovation, blind imitation, or stereotypes should also attract attention. At the beginning of the 1950s, there appeared a large square of clear-walled flat roof “square box” buildings; in 1959, the glass entrance of the Great Hall of the People emerged, which led to the emergence of a large number of buildings with glass captivating “doctor hat” features in the 1960s and early 1970s; In the mid-1970s, Guangzhou Glass Fair, Baiyun Hotel, and other large glass and horizontal lines were built everywhere in the north and south, such as the Long Island Hotel in Changsha, Xiangjiang Hotel, Lushan Hotel, Guilin’s Lujiang Hotel, and Huiquan in Qingdao. Hotel, the most typical is the Yellow Sea Hotel in Qingdao. Houmi, Hong Kong’s Shangri-La Hotel’s architectural form of vertical lines made up of bayonet windows, with Shenzhen as the center, radiating across the country, blooming all over the place; while in foreign films and photographs, stepped architecture and glass curtain wall enclosures are now domestic It is also a great trend.... The above several architectural forms of anti-reflexion