汪义群在《客观世界的观照——论现实主义戏剧》(载《外国戏剧》1987年第一期)一文中说,现实主义戏剧,是在某一特定的历史条件下产生的戏剧流派。它的特点:取材于现实生活中所发生的事件,摈弃神话传统或浪漫事迹,尽可能客观、真实地将日常生活搬上舞台;强调所谓的舞台幻觉,力图调动灯光、布景、道具等一系列手段制造出酷似现实生活的场景;它要求演员真正“生活”在四堵墙内,忘掉观众与剧场的存在,尽量避免和观众直接交流。它的代表人物是娜威剧作家易卜生。在欧洲戏剧史上,易卜生是一座里程碑,它指向现代。首先,他的剧中人物从神降到了人,从英雄降到了普通人。其次表现在他将日常 Wang Yiqun said in his article “The Observation of the Objective World - On the Realistic Drama” (the first issue of Foreign Drama in 1987) that realism drama is a genre of drama that has emerged under a certain historical condition. Its characteristics: based on the events in real life, abandon the mythological tradition or romantic deeds, as objectively as possible, real life on the stage; emphasize the so-called stage illusion, in an attempt to mobilize a series of lighting, scenery, props and so on Means to create a real life-like scenes; it requires actors to truly “live” in four walls, forget the audience and the theater there, try to avoid direct communication with the audience. Its representative is the Ibn Hua playwright Ibsen. Ibsen is a milestone in European theater history, pointing to modernity. First of all, the characters in his play fell from God to man, from the hero to ordinary people. Second, in his daily performance