读了张望编的《鲁迅论美术》后,使我深刻的认识到,鲁迅先生不但是中国最伟大的文豪、革命的政论家,而且是中国新美术的导师,如同他对新文学的贡献一样,对于新美术的贡献是非常大的,给中国美术工作者指出了明确的努力方向。并且打下了基础,特别是木刻美术。鲁迅先生竭力反对腐朽的“艺术至上”的旧美术观,他高举着新现实主义的旗帜,指导美术工作者了解艺术是建筑在社会经 After reading “The Art of Lu Xun” by Zhang Wang, I deeply realized that Lu Xun was not only the greatest writer and revolutionary politician in China, but also the mentor of Chinese new art, just as his contribution to new literature , For the contribution of new art is very large, to the Chinese art workers pointed out a clear direction of efforts. And lay the foundation, especially woodcut art. Lu Xun vigorously opposed the decadent “art supreme ” view of the old art, he held high the banner of neo-realism, to guide art workers to understand that art is built on social classics