一中国画发展到今天面对世界文化的大交融,要有所突破实为难事。在纵向和横向两个方面,均被两张大网所禁锢,其一为中国传统绘画之网,另一为西洋绘画之网。当今的画家们大多在这两张网中挣扎,唯有能脱网之鱼方得新生。当然这取决于画家本身的积累和智慧。自新文化运动以来,由于历史、政治的发展需要,“革传统中国文化的命”便成一个时代的标签。作为传统文化艺术代表的中国画便理所当然地成了革命的对象,从康有为到 The development of a Chinese painting in the face of today’s world culture blend, it is difficult to achieve a breakthrough. In both vertical and horizontal directions, they are confined by two large networks, one is the network of Chinese traditional painting and the other is the network of Western painting. Today’s painters are mostly struggling in these two networks, and only the nets can be reborn. Of course it depends on the artist’s own accumulation and wisdom. Since the New Culture Movement, due to the needs of historical and political development, “the life of traditional Chinese culture” has become an era label. As a representative of traditional culture and the arts of Chinese painting has naturally become the object of revolution, from Kang Youwei