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生命到了弱冠年华的时刻该是最耀眼最辉煌的时刻了。二十岁的《民族文学》虽然是我们心目中的偶像,但在大中国的文学园林中,还是处在少亮点不醒目的区域内。这固然与我们边地作家长期习惯于被动生存状态有关,但更多的是因为具有影响力的大评论家对我们这个区域的文坛事宜总是不屑一顾。内地文坛上的热闹非凡与边地文学的空冷寂寥常常形成鲜明对比。这种现象也直接影响了我们中间的《民族文学》的诱惑力。然而,《民族文学》并没因此而丧失信心,更没因此而气馁不前。她站在他人难以企及的制高点上,俯瞰着有别于中原的殊异地带人民的
Life is the moment when the crown of weakness is the most dazzling moment of the most brilliant. Although the 20-year-old “national literature” is an idol in our mind, in the literary garden of Greater China, it is still in a less prominent area. This is not unrelated to the long-term accusation by writers in our region of passive living conditions, but more often because the influential big critics are always dismissive of the literary world in our region. On the mainland literary arena is extremely lively and literary air-conditioned loneliness often form a sharp contrast. This phenomenon also directly affects the temptation of the “national literature” among us. However, “national literature” did not lose confidence, even more discouraged. She stood on the commanding heights of other people, overlooking the different areas of the Central Plains with different people