论文部分内容阅读
二十年来的中国油画界缺乏力作这一话题已被圈子内外的人们一谈再谈,期刊杂志里也是一论再论,油画艺术研讨会上,更不乏持此见地之人的激昂陈辞,其势咄咄,不容半点回避,那么,力作为何难产自然就是必须正面回答的问题了。笔者作为上个世纪六十年代出生,八十年代中期幸入科班研习油画,九十年代至今一直从事油画教学与创作的见证人之一,愿敞开心扉,一吐已见,不当之处望赐斧正。
The topic of the lack of masterpiece in the Chinese oil painting industry in the past two decades has been talked about by people inside and outside the circle. The periodicals and magazines have also been making repeated criticisms. At the symposium on oil painting, there is no shortage of heated speeches on the part of those who see it, The potential is aggressive, can not tolerate the slightest to avoid, then, as a result of the difficulties as a natural force that must be answered positively. I was born in the 1960s and was fortunate enough to study oil painting in the Cobb class in the mid-1980s. I am one of the witnesses of oil painting teaching and creation since the nineties, and I would like to open my heart to the world. Ax is.