去年第6期,笔者在这个栏目以《有精品才谈得上振兴》为题,发表了一些个人看法。文章刊出后,据说在读者中反响不一,大部分人认为是切中了粤剧剧目方面的要害,确立精品意识,刻不容缓;而且还认为,精品决不是为应付评奖而经营,它应作为维系观众,特别是年青一代观众的一项不可缺少的措施,只要精品层出不穷,粤剧才能体现出旺盛的生命力。但也有人担心,对剧目质量提出批评,如果被批评者麻木不仁,继续我行我素,岂不是前功尽弃?这种担心是有道理的,它同时也引出了另一个话题——开展正常的剧评活动,也是促进粤剧振兴的一种手段。 Last year, No. 6, the author in this section to “talk about the rejuvenation of quality” as the title, made a number of personal views. After the article is published, it is said that there are different repercussions among readers. Most people think that it is the key to cut off the Cantonese opera repertoire and that it is imperative to establish a sense of quality. It also believes that a boutique is by no means operated in response to the award, , Especially for the younger generation. As long as the products are endless, Cantonese opera can demonstrate its vitality. However, some people are worried that criticism of the quality of the play would be unjustly abandoned if the critics were insensitive and continued their own way. This worry makes sense. It also leads to another topic of normal drama criticism and activity Promote the revitalization of Cantonese opera as a means.