本文分析了电视剧《汉武大帝》叙事特色,认为这部电视剧引起广泛关注和它的叙事背景与当下有着指向性的联系不无关系。同时,它在叙事策略上有意通过封闭的空间把主人公设定为一个在讲述中将要被认同的主体。另外,本文认为创作者的本意并不完全是要以史喻今,也不是为了完成叙事狂欢,而是从电视剧艺术的角度来考虑问题。 This article analyzes the narrative features of the drama “Han Wu Da Dili”, thinks that the drama has drawn widespread attention and its narrative background has a direct connection with the moment. At the same time, in narrative strategy, it intends to set the protagonist in a closed space as a subject to be identified in narration. In addition, this article argues that the original intention of the creator is not completely to historical metaphysics, not to complete the narrative orgy, but to consider the issue from the TV drama art point of view.