上官超英君不到40岁,是新时期即改革开放时期涌现出来的青年画家。这一代青年画家普遍观念新,有开拓精神,有广阔的视野,但常常因为对传统艺术的价值识不够而显得功底不足。如果能把新观念和扎实的传统功力结合起来,他们是会大有作为的。可喜的是,在这代人中涌现出一批有志于在民族传统基础上创新的“弄潮儿”。上官超英是他们当中的一位,他出生在有“壮丹之乡”称号的美丽城市菏泽,从小爱好绘画,后来又就读于山东工艺美术学校、山东纺织工学院美术系,受了六年的系统美术教育,对 Shangguan Chaoying Jun less than 40 years old, is the new era that emerged during the reform and opening up of young painters. This generation of young painters are generally new in concept, pioneering spirit and have a broad field of vision. However, they often find themselves lacking in sufficient knowledge of the value of traditional arts. If you can combine new ideas with solid traditional skills, they will do a great job. It is gratifying to note that a number of “beach-goers” who are interested in innovating on the basis of national tradition have emerged in this generation. Shangguan Chaoying is one of them. He was born in Heze, a beautiful city with the title of “strong town of Dan Dan.” He was a hobbyist and later enrolled in the Shandong Arts and Crafts School and Shandong Textile Institute of Fine Arts. After six years System Art Education, right