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在民富国强,全社会重视文化的年代,书画收藏和艺术品投资成为继房地产、股票之后的新兴投资行业。艺术品投资的回报率高,风险也大,这是众所周知的事实。据说过去十年,所有被交易一次以上的艺术品的价格指数创造了约11%的年收益率,超过标准普尔500大盘股指数和其他绝大多数的资产类别,包括债券和日用品。[1]对艺术品市场潜力的预测,也成为当代艺术市场理论中的一门显学,它与艺术批评一唱一和,成为推动当代艺术品价格不断攀高的重要因素。这导致的结果是,当代名家的作品往往比古代名家的作品还要贵,而且一画难求,这种市场上“厚今薄古”的追逐跟学术上“厚古薄今”的趋向恰恰成为对立面。
In the rich and powerful nationwide, the whole society values the culture of time, calligraphy and painting collection and art investment into the real estate, stock emerging investment industry. It is a well-known fact that returns on art investment are high and risks are high. It is said that in the past decade, the price index of all artworks traded more than once created an annual yield of about 11%, exceeding the S & P 500’s large-cap index and the vast majority of other asset classes, including bonds and daily necessities. [1] The prediction of the market potential of artworks has also become a prominent one in the theory of contemporary art market. It is a singular one with art criticism and becomes an important factor in promoting the rising price of contemporary works of art. This led to the result that the works of contemporary masters tend to be more expensive than the works of ancient masters, and a painting is hard to find. In this market, the chase of “thick and thin ancient” and the academic “thick and thin” "The trend is precisely the opposite.