画家心语画家在年轻的时候,通常较多地关注自己的创作,而中年以后,却会对整个社会范围内的美术现状更为关心一些,随着年龄的增长,我会更多地去思考自己的作品在整个社会中所处的位置。就目前中国画的现状而言,社会提供给画家的平台还是不够宽广,学术氛围也不够纯粹,当然,这也许和那些大师级人物的相继过世,学术上缺失权威有关。近些年,社会上的主题性展览愈演愈烈,而这恰恰是学院画家的弱点。毕竟,学院画家一直以来是更偏向于学术性研究的。人到中年以后,不经意间发现自己竟然已经滑落到一种边缘状态了。自以为自己所关注的是所谓的学术研究,然而在社会大学美术的平台上显得很滑稽。 Painter’s psychic painter usually pay more attention to his creation when he was young. After middle age, he will pay more attention to the art status quo in the whole society. As we grow older, I will go more Think about where your work is in society as a whole. In the current situation of Chinese painting, the platform provided by society to the artists is still not broad enough and the academic atmosphere is not purely pure. Of course, this may have something to do with the passing away of those masters and academic loss of authority. In recent years, there has been an intensification of thematic exhibitions in the society, which is exactly the weakness of the college painters. After all, college painters have always favored scholarly research. After middle age, he inadvertently found himself unexpectedly slipped to a marginal state. Self-righteousness is what they call the so-called scholarly studies, but they seem ridiculous on the platform of art at the University of the Arts.