论文部分内容阅读
一、工作室纲要 (一)我们的基本宗旨是:高扬中国的新文化精神,扎根现实生活,努力把握当代的学术水准和审美意识,开发继承古今中外优秀的文化遗产,发展油画艺术。 (二)我们从方法论的意义上举起结构的旗帜, “从结构出发”不是某一风格流派的标志,也不是某种固定僵死的表现模式。正好相反,这种方法恰恰有助于形成和发展个性的、丰富多彩的艺术感受和艺术表现样式。历代东西方的艺术大师共同创造了这种方法的伟大传统。注重结构,从来就是以中国为代表的东方传统艺术方法的重要特征。而在欧洲,从文艺复兴到塞尚乃至当代诸多艺术流派的大师们,则以他们惊人的艺术实践探索构建了这种方法的西方传统。 与此同时,“从结构出发”作为艺术教学法,还曾是博巴及许多教学体系的精髓。
I. Outline of the Workshop 1. The basic purpose of our work is: to elevate China’s new cultural spirit and take root in real life. We should strive to grasp contemporary academic standards and aesthetic awareness, develop and inherit outstanding cultural heritage at all times and in all countries and develop the art of oil painting. (2) We raise the banner of structure from a methodological point of view. “Departing from the structure” is not a sign of a certain style of genre, nor is it a certain rigid pattern of expression of rigidity. On the contrary, this kind of method just helps to form and develop individuality, colorful artistic feelings and artistic expressions. The masters of the East and West of history have jointly created the great tradition of this method. Focusing on structure has always been an important feature of the traditional oriental art represented by China. In Europe, masters from the Renaissance to Cezanne and even many of the contemporary art schools explored the Western tradition that built this approach with their astonishing artistic practices. At the same time, “starting from structure” as an art pedagogy was once again the essence of Boba and many teaching systems.