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中阮和柳琴是具有古老文明的民族器乐。由于古代时期琵琶与中阮的名称混淆的使用,在民族乐器中显得相对薄弱,认知的人也很少,很多乐团学校都用琵琶等代替中阮和柳琴的演奏,因为演奏技巧太过相似而将中阮与柳琴融为一谈。其实从某些方面看似相像,但是在细微的不同中音乐的感觉上也就有很大不同。中阮和柳琴的发展是曲折的,是在一代代的中阮和柳琴演奏家们辛勤整理,改革,创新,不断探索而发展来的。凝聚着中阮与柳琴演奏家们的心血。它们的发展传承着中国的音乐文化,是民族器乐发展史中不可或缺的历史,不可泯灭,也不可混淆。
Nguyen and Liuqin are ancient instrumental folk instruments. Because of the confusion of the names of Pipa and Nguyen in ancient times, they were relatively weak in national musical instruments and very few people knew. Many orchestral schools used pipa instead of Zhong Nguyen and Liuqin because the playing skills were too similar And Nguyen and Liu Qin blend. In fact, in some ways looks like, but in subtle differences in the feeling of music there is a big difference. The development of Nguyen and Liuqin is twists and turns, developed from generation to generation by Nuan and Liuqin performers in their hard work, reform, innovation and constant exploration. Unite Nguyen and Liuqin virtuoso effort. Their development inherits the music culture of China and is an indispensable history in the history of the development of national instrumental music. It must not be destroyed or confused.