汉朝末年,随着更简便易行的楷书、行书、草书的出现,隶书逐渐走向衰落。清朝末年,在康有为等人的倡导下,碑学大兴,人们对隶书的学习研究兴趣又开始提高,至上世纪八十年代中后期更是获得了书法界的普遍重视,其表现在于以下几点:一是随着考古工作的推进,一些原来鲜有人注意、与正统隶书写法差距较大的碑刻作品以及秦汉魏晋的简牍、帛书、砖瓦、摩崖、抄经文字被发掘出来,并被书法家在创作实践中所吸收,极大地丰富了隶书原有的表现手法。二是书法理论界对隶书的研究 In the late Han dynasty, with the appearance of more regular scriptures, scriptures and cursive scripts, the official script gradually declined. In the late years of the Qing Dynasty, under the advocacy of Kang Youwei and others, people began to learn and study interest in official writings. Since the mid and late 1980s, they have gained universal recognition in the calligraphy world. The performance lies in the following points: First, with the advancement of archeological work, some original inscriptions that were scarcely noticed and widely diverged from the orthodox scriptures, and the bamboo slips, silk shingles, bricks, cliffs and shouts copied from the Qin and Han Dynasties and the Wei and Jin dynasties were unearthed, Home in the practice of absorbing, greatly enriched the official performance of the official script. Second, the calligraphy theory of the official script study