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我在中央美术学院学习工作了11年,到天津美术学院工作至今也恰恰是11年,这段生活背景让我能够自然而然地感触和涉猎到两种不尽相同的中国画教育体系。然而,在此处我并不希望以“大词”的方式来长篇探讨不同体系的得失短长,多年实践证明,不论是改造传统还是坚守传统,中国画的教育教学都能出人才;反过来说,也都有人学不出来。在重视传统的体系中,也会有面貌各异的艺术创作者,而哪怕是在强调改造和更新传统的教育体系下,也会出现太像老师的学生。更何况,表面上不尽相同的教学体系之间,实在有着太多共性的追求和共通的教育内容,在这里,不同风格、不同主张
I studied at the Central Academy of Fine Arts for 11 years, and it has been 11 years since I worked in Tianjin Academy of Fine Arts. This background of life makes me naturally feel and navigate two different Chinese painting education systems. However, I do not wish to go through the short and long gains of different systems with “big words” here. Many years of practice have proved that both the traditional education and the traditional education can bring out qualified personnel. On the contrary, Comes to say, also some people can not learn. In the tradition-oriented system, there are also different-looking art-creators, and even students who are too teacher-like even under the emphasis on reforming and renewing the traditional education system. What’s more, seemingly different from the same teaching system, there are too many common pursuit and common educational content, here, different styles, different ideas