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第十三讲乐谱中其它常见的记法与符号前面记谱法部分,已经讲述了五线谱记谱法中音的高低、长短以及拍子、节奏与调等的一般记法和基本规则。但乐谱中还常有其它一些相关的标记方法与符号,不了解它们的意义,仍然不能准确而顺畅地阅读乐谱。应当说明,随着音乐艺术自身发展,要求记谱法日趋细密和完善,因而不断有各种新的标记方法与符号产生;各种专用曲谱(主要是器乐演奏谱)还有各自一套演奏方法的特定符号标记,有的(如琵琶谱等)演奏符号十分繁杂。这些都不可能逐一予以介绍。本讲所涉及的只是乐谱中一些常见的、具有普遍意义的记法与符号。
The thirteenth music notes in other common notations and symbols in front of the notation of the part of the method has been told the notation of notation in the notes of the level, length and tempo and tone of the general notation and basic rules. However, there are other related markings and symbols often found in the score, without understanding their meaning, and still fail to read the score accurately and smoothly. It should be noted that with the development of music art itself, the requirements of notation method are getting closer and better, so there are constantly new ways and symbols of mark generation. Various kinds of special music instruments (mainly instrumental performance spectrum) and their own performance methods The specific symbol mark, and some (such as the pipa, etc.) performance symbol is very complicated. None of these can be introduced one by one. This talk deals only with some of the common notations and symbols of universal significance in the score.