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平遥镇国寺万佛殿始建于五代,后历经金元明清多次修缮工程,现存的彩画保留了多个不同历史时期的叠压痕迹。本文选取其椽头彩画为典型研究对象,通过剖面光学显微分析、偏光显微分析和SEM等科技检测手段,结合古代颜料史相关研究成果,对椽头彩画现存的历史信息进行了多方面的解读。对颜料痕迹层叠关系的分析表明,万佛殿的南北椽面保留了三个不同时期的彩绘,其纹样、材料、工艺均表现出不同于清代官式做法的地方特色。
Pingyao Town Temple 10000 Buddha Temple was built in the Five Dynasties, after many repairs after the Jin and Yuan Ming and Qing dynasties, the existing color paintings to retain a number of different historical traces of overlay. This paper chooses the rafter head color painting as the typical research object. Through the cross-sectional optical microscopic analysis, polarized light microscopic analysis and SEM and other scientific and technological means of detection, combined with the ancient pigment history related research results, Interpretation. The analysis of the relationship between the layers of pigment traces shows that the three sides of the north and south rafters of the Wanfodian retain three different periods of painting, and their patterns, materials and processes all show local features different from the official practices of the Qing Dynasty.