一个从事艺术的人,要用文字去表达自己的作品,感觉总显得有点多余,毕竟作品才是和观者交流的媒介,但作品之外,也是有很多可以言说的,反过来可以更好地帮助观众理解作品。与此同时,文章中也写进了一些我在艺术创作过程中的小小体会,愿借此机会和读者们一起分享。打破传统规则,让颜料“独立存在”在玻璃上绘画,最早的想法是想让颜料独立起来。根据以往的经验,绘画是用颜料或和颜料类似功能的材料在另外一种媒介上绘制作品,但如果颜料自己独立存在,那这还是传统意义上的绘画吗?一般绘画,颜料必需要附着在别的媒介上,那有什么办法能让人感觉颜料的独立存在呢? It is always superficial for an art practitioner to use words to express his works. After all, works are the medium of communication with the audience. However, there are also many things that can be said about the works, which in turn can be better Help viewers understand the work. At the same time, the article also wrote some small experiences in the process of artistic creation and would like to take this opportunity to share with readers. Break the traditional rules, let the paint “independent existence” on the glass painting, the earliest idea is to let the pigments up independently. According to past experience, painting is based on pigments or pigment-like materials and works on another medium. But if the pigments exist on their own, is this the traditional painting? In general painting, pigments must be attached to In other media, is there any way to make people feel the existence of independent pigment it?