我国建筑界几乎没有经历现代主义革命的进程,我国的理论界还没有对几千年的中国文化进行深刻的反思,良莠并存,落后的封建传统与文化还在对人们起着束缚作用。还需要像“五四”时期的鲁迅那样对落后的传统进行批判。在这种时期要提出建筑文化、传统,会不会泥沙俱下,复古主义、折衷主义借尸还魂?因为五十年代是现代主义运动的黄金时代,我国 China’s architectural world has hardly experienced the process of modernist revolution. The theoretical circle in China has not profoundly reconsidered thousands of Chinese cultures. Coexistence of good and bad, the backward feudal tradition and culture still play a binding role on people. It is also necessary to criticize backward traditions like Lu Xun during the May Fourth Movement. In this period of time, will it be necessary to propose architectural culture and traditions, will it not be muddy, and retroism and eclecticism will be revived? Because the fifties was the golden age of the modernist movement, my country