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草书是人宣泄情感、展示内心的最直接的一种方式,是最能体现作者思想、情感的一种艺术符号。翁方纲曾说:“空山独立始大悟,世间无物非草书。”世间的万物均可简化为线条、成为一种意象,对万物的感悟都可以化为抽象的草书创作。而草书的创作需要靠悟性,而草书的悟性从何而来是我们一直需要探讨的问题。本文通过思考翁方纲所说的世间无物非草书的本意,旨在探究草书创作的悟性从何而来。
Cursive is one of the most direct way to show off emotions and show the innermost feelings and is an artistic symbol that best embodies the thoughts and emotions of the author. Weng Fanggang once said: “Kanshan independence began to realize that the world is nothing non-cursive.” Everything in the world can be reduced to lines and become an image. The perception of all things can be turned into abstract cursive writing. The cursive writing needs to rely on the understanding, and cursive perception from where we always need to explore. This article tries to explore where the understanding of cursive writing comes from by thinking of Weng Fanggang’s intention of non-cursive writing in the world.