平祥邓公,出道于画,成道于文。其文其言,思沉情重而慷慨;其画其艺,色抑象实而景幻。其文,非画家之文;其画,乃文人之画。说他的文非画家之文,指他的文章不同于画家的创作心得,不同于画家型的评论和撰史,而是独立的社会文化思考和独立的批评意识的表达;说他的画是文人之画,是指他文盛之后并不奢望画盛,绘画是他文余了却不了的绘画情结的遗兴。与多数文家、论家的文余书画不同,他毕竟出道于画,因此他对油画投入了更认真的思考和更勤苦的实践。正是这种游移于文画之间的状态,形成了邓平祥绘画的基本特征。他反对玩世不恭 Ping Xiang Deng Gong, debut in the painting, enlightenment in the text. Its text, thinking heavy heavy and generous; its art, color and reality like real magic. The text, non-painter’s text; painting, is the literati’s paintings. To say that his essay is a non-painter’s essay means that his essay is different from the painter’s creative experience and is different from artist-type comments and essays, but rather independent social and cultural thinking and independent criticism; The painting of the literati means that he does not expect the painting to flourish after Wen Sheng, and that the painting is the surviving painting complex without his writing. Unlike most of the writers and artists of the literary family and the theorist, after all he debuted in painting, so he put more serious thinking and more hard-working practice on oil painting. It is this state of wandering between paintings and paintings that has formed the basic features of Deng Pingxiang’s paintings. He opposed cynicism