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山水画是中国古代绘画的主流,它不仅根据画家的审美需要来体现艺术本身的价值,同时又是画家对于玄、道的物化呈现。艺术家对山水题材的选择在表现出一种中庸隐忍而含蓄的审美文化的同时又体现了循道开悟的禅学境界,这种认识事物的积极态度与文学意味相互融合又互为补充,构成了东方艺术美学的重要特点。山水画与文学诗的完美结合是这种共同意蕴的深化表达,也是对艺术超越的智慧体现。
Landscape painting is the mainstream of ancient Chinese painting. It not only reflects the value of art itself according to the aesthetic needs of the painter, but also is the materialization of the metaphysics and Taoism. The artist’s choice of landscape theme shows a tolerant and subtle aesthetic culture while at the same time embodies the Zen realm of enlightenment by the way of understanding. The positive attitude and the literary meaning of this understanding thing are mutually complementary and complementary The Important Features of Oriental Art Aesthetics. The perfect combination of landscape painting and literary poem is the deepening expression of this common implication as well as the wisdom expression of transcendence of art.