从晚清篆刻四大家中的赵之谦、黄牧甫,到近代的乔大壮、当代的蒋维崧,再到刘绍刚,一直延续着“学者型”艺术流派的精神。这派印风根植于传统,除了在艺术上追求古朴、含蓄、文雅的风格外,还讲求以古文字入印,用古老的字形、笔意诠释一个学者对篆刻艺术的理解 From the late Qing Dynasty seal Zhaozhao Qian, Huang Mufu, to the modern Qiao Dazhuang, contemporary Jiang Weisong, and then to Liu Shaogang, has continued the “scholarly” spirit of art genres. This style of printing roots in the tradition, in addition to the quest for the art of ancient, subtle, elegant style, but also emphasizes the ancient text into India, with the ancient glyphs, meaning a scholar understanding of the art of seal cutting