论文部分内容阅读
赵雁君是在上世纪九十年代成熟起来的书家,其成长、发展的过程也与当今书法这一转变无法分开。他擅长大幅巨制,尤以大幅的楹联书写为个人标志性的形式与面貌。赵雁君的书法以行草书为主体,其
Zhao Yanjun is a book maturity in the nineties of the last century. The process of its growth and development can not be separated from the current transformation of calligraphy. He is good at drastically large scale, especially in the form of a personal symbolic form and appearance. Zhao Yanjun’s calligraphy cursive script as the main body, its