对联大概是1991年,有个电视剧叫《联林珍奇》,故事好像并不是特别引人入胜的那种,但是,我每天牢牢地守在电视机前,很是执著,为的是等着电视里的主人公为我们揭晓一副副精巧、机智的妙对。对了,那时候,对联给我的印象就是机智、巧妙的艺术。因为这个电视剧,我开始留心一切成对成对出现的句子,游山水、访人家、祝寿甚至祭奠的时候,我都会对那些对联品味再三。这就是对联的魅力了。据《宋吏·蜀世家》载,对联起源于五代,后蜀主孟昶曾在岁除之日写了“新年纳余庆;嘉节号长春”的桃符联语,挂在宫中迎春祈福,后人于是将它引为对联的初例,距今已逾千年历史了。自明代起,使用对联的风习渐盛,或题咏山川名胜,或歌颂风物岁时,或抒发情怀心意,成为广泛应用的文体表现形式。对联讲究字句凝练,整齐精严,联语字数四言至多言不一,内容涵盖丰富,“凡诗词、格言、警句、谚语乃至白话文皆可,典丽琳琅,文采映耀,实为照人眼目、字字珠玑的篇章”。本期主特:李滇敏 The couplet was probably in 1991. There was a TV series called “Lianlin Rare,” and the story didn’t seem to be particularly fascinating. However, I kept firmly in front of the TV and was very obstinate in order to wait for the TV. The protagonist of the game reveals a delicate and witty pair for us. By the time, the impression given to me by the couple was wit and clever art. Because of this drama, I began to pay attention to all pairs of sentences that appear in pairs. When I tour landscapes, visit people, celebrate my birthday, and even pay homage to them, I will repeat the tastes of those couplets. This is the charm of couplets. According to the book “Song Yao’s Family”, the couplet originated in the Five Dynasties. After the late Emperor Meng Zeng wrote the “New Year Nayuqing on the day of his death; Changchun of the Jiajie No.”, he wrote in the palace to pray for the spring. Later, they later introduced it as an initial example of the couplet, dating back more than a thousand years ago. Since the Ming dynasty, the use of couplets has become more widely used as a form of stylistic expression, as it has gradually become popular, or it has become famous for mountains and rivers, or when you celebrate the age of things or express your feelings. The couplets emphasize conciseness, neatness and strictness. The number of words in a tandem is more than one word. The content covers a wide range of contents. “Where poems, maxims, aphorisms, slang words and even vernacular Chinese are acceptable, Lilin Yan and Wencai Yingyao are really photos.” The eyes of the human eye and the words of the word ". The main special issue of this issue: Li Shumin