海德格尔在《艺术作品的本源》中提出了真理冲行创作论,石涛在《画语录》中把神遇作为创作核心论,尽管两者有着中西传统文化异质精神,但具体论述的内涵却有对话和相通的可能因素。本文拟从创作实际情况出发,对较为抽象的理论形态给以解构和比较,旨在阐明“真我”与“真画”之间的重要关系。 Heidegger put forward the creation theory of truth in “the origin of works of art”. Shi Tao regarded the creation of God as the core of creation in “The Illustrated Paintings of Pictorial Scriptures.” Although both of them have the heterogeneity of traditional Chinese and western cultures, the connotation There are possible reasons for dialogue and interlinkage. This thesis intends to deconstruct and compare the abstract theories with the actual conditions of creation, and aims to clarify the important relationship between “true self” and “real painting”.