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《海上油画系列展第二回——“归一·分流”两种油画美术教育个案文献展》近日在朱屺瞻艺术馆隆重举办,本次展览围绕黄阿忠和丁立人两位艺术家,两个不同的创作群体展开,用五十余幅油画,上百件艺术文献和史料,以及精心制作的采访视频,呈现出两种较为显著的艺术传承形式:一种是学院教育背景下的艺术传承。比如上海大学美术学院的黄阿忠教授。另外一种以家庭作坊式的艺术教育形式的传承。比如丁立人及他的家庭艺术教育。展览通过这两种艺术教育形式的不同作品展示与对比,及文献资料考察的展出,希望能够为当下的艺术教育提供一些启发和探索。展出的目的不完全是来看艺术家的作品,而是通过他们的比较,引起这样一个思考:绘画到底是怎样的一种生存状态——它是一种像放松身心的一种休闲的生活状态,还是一种职业状态?
“Maritime Painting Series Exhibition second - -” split one by one “two kinds of oil painting art education case documentary” was recently held in Zhu Qizhan Museum of Art, the exhibition around Huang Ah Zhong and Ding Liren two artists, two There are two groups of different creative groups. With more than 50 paintings, hundreds of art documents and historical materials, and elaborate video interviews, two distinctive forms of artistic inheritance are presented: one is the artistic heritage under the background of college education . Such as Professor Huang Ah Zhong of Shanghai University of Fine Arts. Another kind of art education in the form of family-style workshop heritage. Such as Ding Liren and his family art education. Through the display and comparison of different works in these two forms of art education and exhibitions of literature review, the exhibition hopes to provide some enlightenment and exploration for current art education. The purpose of the exhibition is not solely to look at the works of the artists, but rather through their comparison, a reflection arises as to what kind of state of existence a painting is - a relaxing state of mind that relaxes , Or a job status?