【主持人语】本专题的三篇论文,分别从宏观理论角度和文本批评角度立论。陈旭光的《“现代性”的终结与再出发:论新时期三代导演的现代性历程》,从现代性的理论维度,梳理和阐释了中国第四代、第五代和第六代导演的现代性思想诉求及创作实践的变迁轨迹,论证了中国电影从第四代导 Moderator language】 【The three papers on the topic, respectively, from the perspective of macroeconomic theory and text criticism point of view. Chen Xuguang’s End and Re-Departure of Modernity: On the Modern Course of the Three Generations of Directors in the New Period, combing and interpreting the fourth generation, the fifth generation and the sixth generation of China from the theoretical dimension of modernity Director of the modern demands of thought and creative practice of change trajectory, demonstrate the Chinese film from the fourth generation