综览赵孟頫书法、绘画遗迹,并结合其相关的论述,可以看出,「批评「近世」,倡导「复古」,是他在艺术上倾其毕生通过理论和实践相联锁的努力,赋予有元一代艺术思维的重要审美标准。」这个标准不仅明确地体现在他的书法艺术审美价值取向上,而且也广泛地渗透于诗文、绘画及篆刻等审美之中。 A comprehensive review of Zhao Mengfu’s calligraphy and painting relics and his related expositions shows that “criticizing” the present age “and advocating” retro "are his efforts in the art of devoting his life to the interlocking of theory and practice, The Important Aesthetic Standards of Yuan Dynasty ’s Artistic Thinking. This standard is not only clearly reflected in the aesthetic value of his calligraphy art, but also widely permeated with the aesthetic of poetry, painting and carving.