上世纪20年代之后,一批中国青年离开国门赴法、赴日学习艺术技法及理论,由此中国现代艺术史开始。这批青年当时或许只是为了追寻心中的艺术之梦,而一百年后从我们的视角进行梳理就会发现,他们的先驱意识和精神,在一定程度上改变了中国艺术史的书写。“现代性”“中国性”“融合性”成为了20世纪早期艺术史的主线,而他们的作品在岁月中不断熠熠生辉,通过画作,我们可以感知他们当时的创 After the 1920s, a group of Chinese youth left Japan to go to France and study Japanese art techniques and theories, thus starting the history of modern Chinese art. Perhaps these young people were only seeking the dream of art in their hearts at the time. After a hundred years of combing from our perspective, they found that their pioneering spirit and spirit have, to a certain extent, changed the writing of Chinese art history. Modernity, Chineseness, Convergence became the main line of art history in the early 20th century, and their work was constantly shining throughout the years. By drawing, we can sense what they were doing