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戏剧是一种两重性的艺术形式,包括作为写作的戏剧和作为演出的戏剧两层内容,前者是指文本创作的艺术品,后者则是需要执行者将文本通过自己的思考重新阐释出来的生动的演出。作为写作的戏剧艺术,例如一个剧本、一个演出构思等,是由模板机械产生出来的实物;而作为演出的戏剧艺术则是由阐释性的表演行为有意向性地产生出来的事件。之所以叫表演艺术正是因为他展示了戏剧的这种双重性。从本体论意义上来看,大众传媒化的戏剧作品,尤其是电影和电视剧等,与双重含义的戏剧艺术有很大的差异,它们缺少了演出执行者即兴表演的一层含义,最多只是像一本小说,一个剧本一样,由机械复制出来的文本性的戏剧作品,而缺乏包括演出者意向、信仰和欲望的生动的演出过程。它们一经制作完成后,就可以由模板进行大量复制,不再需要执行者的思考和意向性行为的参与。因此大众媒介化的戏剧作品不是表演艺术。
Drama is a dualistic art form that includes two layers of drama as a writing act and a drama as a performance. The former refers to the artwork of a text, while the latter is a vivid one that the practitioner needs to reinterpret the text through his own thinking The show Drama as a writing art, such as a play, a performance idea, etc., is produced by a template machine in kind; while the theatrical art as a performance is an intentionally generated event by interpretive performance. It is precisely because performing arts he shows the duality of drama. From an ontological point of view, mass media-based dramatic works, especially movies and television dramas, have great differences from the dual meanings of dramatic arts. They lack the meaning of impromptu performances by performers at most, The novel, a script-like mechanical copy of the textual dramatic work, lacks the vivid performance of the artist’s intentions, beliefs and desires. Once they are made, they can be massively copied by the template, eliminating the need for practitioners’ thinking and engagement. Therefore, the mass media drama is not performing arts.