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我最近去了解了河北省的十二个民间职业剧团,每个剧团内都有若干名学员,十二个剧团共有学员一百二十名。如果以平均每个剧团有十名学员计算,全省一百五十一个民间戏曲剧团,即共有学员一千五百余名。在这个总数里,除去极少数的「龙套」演员和随团家属外(各剧团在名义上都常把他们当作学员计算),实际的学员人数也仍有一千余名。如果全国的民间职业剧团与河北的情况大致相同,那这个数目就更可观了。各戏曲剧团不怕增加经济负担,都或多或少有些学员,主要的原因有以下几点:首先,是由于解放后人民生活普遍提高,尤其
I have recently learned about 12 private professional troupes in Hebei Province, each of which has a number of trainees and a total of 120 students in 120 troupes. If an average of ten trainees per troupe is used, a total of one hundred and fifty-one folk drama troupes in the province, that is, a total of more than 1500 trainees, are counted. In this total, there are still over a thousand practitioners in addition to a very small number of cast members and band members (each theater often counts them as nominally). If the national civil professional troupe and Hebei’s roughly the same situation, then this number is even more impressive. The troupe troupe are not afraid to increase their financial burden. They all have more or less some trainees for the following reasons: Firstly, they are due to the general increase in people’s life after the liberation,