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(1)黑白颠倒面目新 中国花鸟画独立成科于唐朝,高度发达于宋代。宋代有了两条各自鲜明特色的分支。一为“折枝花鸟画”,她高度概括、提炼,以简洁、单纯的艺术形式,描绘出惟妙惟肖、形神兼备、栩栩如生的花鸟画形象,如《芙蓉锦鸡图》、《枇杷秀羽图》等。另一支为“山野花鸟画”,从题材、内容到艺术形式和艺术语言,都别具特色。她着眼于山野自然界中的花草、禽羽、走兽,其背景不再局限于官苑庭园中的家养花鸟,而是远离市井富有幽深、宁静、野趣的山野花鸟,如《山鹧棘雀图》、《梅石溪凫图》等。这两条分支,如同两朵并蒂奇葩盛开于宋代花鸟画苑。 但是,随着时代的变迁,折枝
(1) Black and white overturned New and independent bird and flower paintings in the Tang Dynasty, highly developed in the Song Dynasty. Song has two distinct characteristics of the branch. One for the “bird’s eye”, she highly summarized, refined, with simple, simple art form, depicting the vivid, full of vitality and lifelike images of flowers and birds, such as “Hibiscus maple”, “loquat Xiuyu map” and so on . The other is “Wild Flowers and Birds Painting”, from the theme, content to the art form and artistic language, are unique. Her focus is on the wild flowers, birds and animals in the wild nature. Her background is no longer confined to the domestic flowers and birds in the gardens of the Court. Instead, she is far away from the marketplace with rich, tranquil and wild mountain flowers and birds, such as “ , ”Meishi Creek 凫 map" and so on. These two branches, like two pedicel flowers in full bloom in the Song and Yuan Dynasties. However, with the changes of the times, break the branches