崛起于20世纪60年代的接受美学是一个重要的美学流派,继以作家、作品为中心的文艺研究理论之后,它将关注的目光集中于读者这一重要因素之上,为文学研究提供了一种新的思维范式。本文从接受美学的角度,试图讨论莫里亚克在小说中运用的新颖巧妙的情节结构和深刻细致的心理刻画,并且详细分析小说召唤结构与读者期待视野之间的相互关系,以此领略莫里亚克创作的独特风格,既继承前人,又开拓创新。 The rise of reception aesthetics in the 1960s is an important aesthetic school. Following the theory of literary and art research focusing on writers and works, it focuses its attention on the important factor of readers and provides a Kind of new thinking paradigm. This article tries to discuss the novel ingenious plot structure and profound psychology portrayed by Mauriac in the novel from the perspective of aesthetics of reception, and analyzes in detail the interrelationship between the structure of call of the novel and the horizon of readers’ expectation. The unique style of creation by Li Ya Ke inherits both predecessors and pioneering and innovating.