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《黄金时代》电影海报以其独特的视觉风格传达了电影的内涵,它将中国传统美学的内在意蕴和形式意味融进了海报中,并通过象征化的语言符号、诗意化的空间与境象创造,以及中国传统文化的情境构建等方面来表达电影主题与精神。从意蕴创造的角度来剖析海报设计,强调传统文化形态在电影海报中的中介意义,将东方美学的思想内涵渗入到海报设计中,以期提高海报设计的独特性、创造性与趣味性。
“Golden Age” movie posters, with its unique visual style, convey the connotation of the movie. It incorporates the intrinsic implication and formal connotation of Chinese traditional aesthetics into the posters. Through symbolic language symbols, poetic space and environment Creation, as well as the construction of the situation of Chinese traditional culture to express the theme and spirit of the movie. It analyzes the poster design from the perspective of meaning creation, emphasizes the intermediary significance of traditional culture in movie posters, penetrates into the poster design the ideological connotation of oriental aesthetics in order to improve the uniqueness, creativity and interest of poster design.