中国戏曲从古代迈向现代,经历风风雨雨,其声腔变化有曲牌联套体,亦有板式变化体;其流传范式有“宫廷——文人”范式和“俗野——民间”范式;其剧种变化,往往有着不同程度的“两下锅”“随心入腔”“改调歌之”成分;其表演和观众的关系,不同剧种中,观演关系多样而复杂。剧种发展到现在,出现了令人担忧的局面。根据专家统计,1983年全国尚有剧种374个,到了2012年已减至286个,短短30余年,戏曲剧种 Chinese opera from the ancient to the modern, experienced the ups and downs, the vocal changes in the song card set, also has the plate change body; the circulation of the paradigm has “palace - literary” paradigm and “vulgar - folk ”; Its dramatic changes, often with varying degrees of“ two pots ”“ heart and soul ”“ ”song“ ”composition; its performance and the relationship between the audience, Diverse and complex. Drama has developed to the present, there is a worrying situation. According to expert statistics, there are still 374 operas in the country in 1983, down from 286 in 2012 to just over 30 years ago.