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《荷塘月色》是一篇脍炙人口的写景抒情散文,诗、情、画高度和谐地统一,作者成功地描写了月色下的荷塘和荷塘里的月色,让人叹为观止。自《荷塘月色》问世以来,赏析文章不计其数,但文中比较紧要的两句话--“只不见一些流水的影子,是不行的。这令我到底惦着江南了。”并没有得到应有的重视。本文旨在通过分析这两句话在文中的作用,凸显朱先生那“于人们忽略的地方,加倍地描写,使你于平常身历之境,也含有惊异之感”的用笔之妙。
The Lotus Pond Moonlight is a popular lyrical essay on landscape painting. The poetry, love and painting are harmoniously harmonized. The author succeeded in describing the moonlight under the moonlight and the lotus pond. Since the advent of the “Lotus Pond Moonlight”, there are countless articles to appreciate, but the more relevant two sentences in the text - “It is impossible to see only the shadow of some flowing water.” Did not get due attention. The purpose of this paper is to analyze the role of these two sentences in the text by highlighting the good use of the pen by Professor Zhu, “in the places where people neglect, to redouble their delineation so that you will feel the same sense of wonder” .