张继青的戏曲表演,特别是《痴梦》一折的表演,可不可以说是“出神入化”的呢?她扮演的崔氏,内心活动很丰富,很传神,常常使我忘记这不过是演员对角色的摹仿。就这种作用来说,她的表演很不凡庸。前年,我没有看过《烂柯山》的《泼水》或《逼休》等折,只看过《痴梦》一折,曾经有过一种预感,《痴梦》对于崔氏精神状态的刻画,已经很有概括性,相对地说,是很完整的;其他各折也许达不到《痴梦》一折的水平。这次在北京第一次看到《痴梦》以外的其他三折,仅就表演来说,最动人的仍然是《痴梦》这一折。知道前夫朱买臣做了官的崔氏,后悔自己曾经逼迫对方“休”了她。她抱怨自己的命苦,也深感自己有一种难以弥补的过失。她的自谴是前夫做官的消息所唤起的。因为有了这个消息,也唤起她当夫人的幻想。她对朱买臣是否愿意与她和解这一点,始终是毫 Can not it be “superb” for Zhang Jiqing’s traditional Chinese opera performances, especially the “crazy dreams”? Cui’s plays are very rich in heart activity, and often make me forget that this is only an actor’s role Imitation. In this role, her performance is very mediocre. Two years ago, I had not seen such things as the “splashing water” or “forced labor breakup” of “rotten mountains”. I only read a book about “crazy dreams”. There was a kind of premonition that “crazy dreams” portrayed Choi’s mental state, Has been very general, relatively speaking, is very complete; other fold may not reach the level of “crazy dreams” a discount. This time for the first time in Beijing, I saw the other twists and turns except “Keng Meng”. For the performance only, the most touching one is still the “crazy dream”. Know that former husband Zhu Maichen made Cui’s official, regret that he had forced each other “off” her. She complained about their own hardships, but also feel that they have an irreparable fault. Her self-inflictedness evokes the news of her former husband. Because of this news, also aroused her as his wife’s fantasy. It is always the slightest question whether she is willing to settle with her