《战神·1948》具有一个重要的可能性。这个可能性始终吸引着我。在中国的话剧舞台上,柔美多,壮美少;阴柔多,阳刚少。也许,这是中国人的民族性使然。我觉得,上海的舞台尤其缺少具有阳刚之气、男性色彩的戏,不过我们可以通过自己的努力为观众提供另 “Ares · 1948” has an important possibility. This possibility always attracts me. On the stage of the Chinese drama, there are more beautiful and more beautiful and less beautiful; more feminine and less masculine. Perhaps this is the nationality of Chinese people. In my opinion, the stage in Shanghai lacks in particular the masculine and masculine drama, but we can provide our audience with their own efforts